Get ready for an unforgettable journey through the essence of rock 'n' roll with Hollywood Vampires' album, "Rise", now available as a jewel case edition with a reworked cover artwork for this edition.

The dynamic trio, featuring icons Alice Cooper, Johnny Depp, and Joe Perry, alongside guitarist Tommy Henriksen, invites you into a world where music reigns supreme. The Hollywood Vampires tale began at the legendary Rainbow Bar and Grill, Los Angeles, that opened its doors in 1972, where Cooper, Depp, Perry, and other infamous luminaries congregated. Fast forward to today, the spirit of camaraderie and music lives on as Hollywood Vampires pay homage to their fallen heroes while carving their own path.

"Rise" is not just an album; it's a testament to the unwavering passion and talent of these rock titans. With 16 tracks pulsating with raw energy and authenticity, this album stands as a beacon of uncompromising rock 'n' roll. Featuring predominantly original material, it showcases the evolution of this group.

From electrifying live performances to the sonic masterpiece of their studio recordings, Hollywood Vampires redefine modern rock. Immerse yourself in the sonic whirlwind of "Rise" and embrace the allure of Hollywood Vampires. Get your Jewel Case Edition and let the music transport you through the heart and soul of rock 'n' roll.

Arriving just in time for the 10-year anniversary of her diamond-certified hit “All About That Bass,” Timeless is a celebration of Meghan Trainor’s growth as an artist over the last decade. On it, she approaches themes of self-love and empowerment with more confidence than ever before, brought to life through her smart lyricism and signature production. Meghan explains, “I cannot believe it has been 10 years since this all began, I have never been more grateful for this life that my incredible Megatronz have gifted me with. This new album and tour are all for them and my beautiful family.”

Think Indie Exclusive - Album by Assemblage is one of the most obscure treasures of the Westbound Records archives. Released in 1971, the album features a more rock-oriented sonic palette than most in the famed funk label’s catalog (underscored by the cover of the Rolling Stones’ “Satisfaction”), while maintaining the signature psychedelic soul sound the label became known for. The band featured many seasoned players from the Detroit scene, including Paul Kingery (who would later join Three Dog Night) and Robyn Robins (who would later join Bob Seger’s Silver Bullet Band). This reissue, the first pressing in over half a century, was remastered by Dave Gardner and includes two previously unreleased bonus tracks. 

Indie Exclusive - Morning, the enigmatic group signed to Vault Records, etched their name into the chronicles of psychedelic rock history with their self-titled record from 1970. The group takes us on a kaleidoscopic journey through the era's burgeoning psych scene; a seamless fusion of folk, rock, and psychedelia. Enjoy this shiny new reissue, pressed on heavyweight splatter effect vinyl. 

Indie Exclusive - Twentieth Century Zoo are a quintessential representative of the psychedelic rock movement. The band's album "Thunder On A Clear Day" was originally released in 1968 on Vault Records, and captivates the psychedelic soundscape of the late 1960s. Bursting with raw energy and experimental fervor, this album delivers a sonic whirlwind of fuzz-laden guitars, swirling organs, and hypnotic rhythms. Enjoy this shiny new reissue, pressed on heavyweight splatter effect vinyl.

Indie Exclusive - Floating Bridge, trailblazers in 1960s psychedelic rock, released their self-titled debut album on Vault Records in 1969. This record is a mesmerizing journey into the heart of blues-infused psychedelic rock, full of intricate guitar work, soulful vocals and a dynamic rhythm section. Enjoy this shiny new reissue, that in cludes 2 BONUS TRACKS pressed on heavyweight slate gray vinyl.

Merriweather Post Pavilion, Animal Collective's ninth studio album, sees the American art-rock collective in heartwarmingly baffling form, combining upbeat indietronica with mind-warping samples. For its 15th anniversary, the 2xLP has been pressed on color vinyl for the first time, Bluish and Translucent Green, and is housed in a reflective foil deluxe gatefold jacket.

Merriweather Post Pavilion was universally acclaimed upon its release in 2009 and was named the #1 best album of the year by Pitchfork, Entertainment Weekly, Spin, and KEXP. “Every once in a while, musicians sweep away the existing musical landscape to create something new,” stated NPR at the time. “Animal Collective is such a group, and its new Merriweather Post Pavilion is such an album.” It has since been recognized as one of the most influential records of the 2000s. “When it comes to 2000s indie, Merriweather stands as the era’s alpha and omega,” Pitchfork has written, “a diamond-cut reflection of the era’s eccentricities, seemingly impossible to replicate in form or format.”

Forever features 12 new songs from one of history’s most iconic bands, Bon Jovi, including the lead single, “Legendary.”

Originally released in April 1997, First Rays Of The New Rising Sun, was the first album prepared under the direct supervision of the Hendrix Family. Drawing together seventeen songs whose creation spans from March 1968 through to Jimi’s final sessions at Electric Lady Studios in August 1970, the album marked the last graceful gesture by the innovative artist Jimi Hendrix. Features “Dolly Dagger,” “Angel,” “Ezy Rider” and “Freedom.” This release is a new, all analog edition mastered from the original 1/4" mixes by Bernie Grundman and pressed on 150-gram black vinyl.

Written and produced by Songwriter’s Hall Of Famer Linda Perry, Crooked Boy features four brand-new tracks from Ringo Starr with his trademark vocals and legendary drumming.

On sophomore album Love Out of Lemons, revered Nashville troubadour Bones Owens continues to evolve his cultured rock songwriting while capturing the energy of his renowned live shows. Released on July 12 by Black Ranch Records, Love Out of Lemons collects deeply grooving snapshots of carefree times and top-down drives with subtleties that linger long after the party’s over.
“This record sort of picks up where my debut full-length left off,” offered Owens from yet another hotel room on yet another tour. “Energetic rock very typical of my live show.” Raised on country, gospel, and bluesy classic rock in rural Missouri, Owens took up guitar at age 10 and within three years was writing his own songs. At 21, he landed a publishing deal and relocated to Nashville, where he was soon a sought-after session and touring guitarist for a diverse array of artists from Yelawolf and Mikky Ekko to Carrie Underwood and Bon Jovi. Owens also co-wrote most of Yelawolf’s Trial by Fire album. An old soul with a poet’s way with words, Owen’s early self-released solo EPs attracted the attention of Thirty Tigers (The White Buffalo, Smashing Pumpkins etc.), who released his eponymous debut album in 2021 and the more introspective, Americana-tinted Eighteen heeler EP two years later. Like Eighteen Wheeler, Love Out of Lemons was produced by Paul Moak at his Smoakstack studio in Nashville. But while the EP was something of an introspective departure for Owens, Love Out of Lemons is a blithe dive into his eclectic, nuanced rock and alt-roots sensibilities, from the genre-fluid grooves of heyday War to the lean bluesy influence of Creedence Clearwater Revival. “I wanted to do another record that was largely rock, but also for it to have more than one gear,” said Owens. Love Out of Lemons features co-writes with Henry Brill (Phantogram, Jack Garratt) on “Born
Again” and Austin Jenkins (Leon Bridges, White Denim) on “Higher Than I Wanna Be.” Drums throughout were played by Julian Dorio (The Whigs, Eagles of Death Metal), with all other instruments handled by Owens and producer Moak. The album’s intentions are clear from the first bars of the opening title track; an irresistibly head-bobbing, outdoorsy strut that explores relationships from which love will never bloom, no matter how hard one or both parties try. “I was thinking of Eric Burdon or War as kind of the starting point for that song,” Owens recalled. “Summer Skin” epitomizes Love Out of Lemons’ mellower sonic subplots, tapping into a
carefree era of Owen’s life largely spent riding motorcycles and hanging out with friends, drink in hand. With additional arrangement and instruments by L.A.-based singer- songwriter/producer Josh Ostrander (Mondo Cozmo, Eastern Conference Champions), its organic, breezy verses are punctuated with an epic cascade of a chorus rich in twinkling, sepia toned nostalgia. The tambourine-flecked AC/DC strut of “Get In On” is a neon washed, two-and-a-half-minute
dive bar anthem, its universally relatable refrain elevated with ecstatic organ and Owens’ soaring vocal. “I’ve waited all day long / To get it / To get it / To get it on,” implores its insistent, made-for-the-stage chorus. As well as his ongoing touring, Owens will be making a solo trek around the Midwest on his Harley Davidson to coincide with the release of Love Out of Lemons. “I’ll just have a guitar strapped on the back to do some intimate shows and radio spots,” he explained. “As well as checking in on friends and family along the way.” Originally planned for the previous November, the trip was postponed after Owens struck a deer on his motorcycle the day before he was due to leave. Tying-in with Love Out of Lemons standout “Goin’ Back Where I Came From,” the route will include Owens’ native Missouri, as
well as Harley Davidson’s Milwaukee headquarters. “I think it’s perfect that the record is coming out in the summer,” he concluded before heading out to the night’s soundcheck. “Because it very much feels like a sunny day, drivin’-down-the-road soundtrack to me.

The first live release from The Murlocs is a career-spanning 22 song set recorded at The Teragram Ballroom in Los Angeles. The show capped off a busy 2022 for the Melbourne-based band, which saw the release of their 6th album (Rapscallion) as well as a performance at Red Rocks (supporting King Gizzard, with whom the band share two members) and their biggest US headlining tour to date.  "Live at The Teragram Ballroom" features "Rolling On", "Noble Soldier" & more. Pressed on green splatter vinyl.

New 2024 pressing on ATO Records. Yellow and green vinyl with a red splatter. Young Blindness followed The Murlocs' 2014 debut LP "Loopholes", built upon a solid foundation of distorted licks and melodic intuition. The hearty compositions are emboldened by the distinct vocal tremolo of singer Ambrose Kenny-Smith. Lyrically, themes of young paranoia and self-doubt are viewed through a lens of experience, exploring the blurred meeting point with an air of blues-borne world-weariness.

Songs in A&E is a beautiful, chilling record and it was very nearly the last thing J Spaceman would ever release. In 2005, with the writing and recording well underway, Spaceman was rushed to the Royal London Infirmary with double pneumonia. The sleeve of this reissue is a photograph taken as he lay in what his close friends and family feared at the time was his deathbed. “We thought he’d gone,” recalled band mate John Coxon at the time. The album is collection of graceful, country-influenced songs that muse on familiar themes of love, death, hope and hopelessness. The country element was informed by a small black 1928 Gibson acoustic he’d bought in Cincinnati while the band toured the Amazing Grace record. Spaceman called it “The Devil”. J Spaceman: “Mostly, when you buy a guitar, like most things, you don't really have any idea of whether it's good or not. And this shop had about eight of the same models for comparison, but this one was in a cage, to keep people away from it, like they knew it was kind of special. And it's beautiful. It just sings. And it kind of came with those songs, which is obviously a sort of romantic notion, but it really felt like it did. I'd never written on a guitar until this point and it seemed to come with all of this information.”

Spanning the tracklist of the original album, the fresh, exciting, and utterly surprising reinterpretations create new content for longtime Talking Heads fans and introduce a new generation to the magic of the music. The brilliant selection of artists recontextualizes STOP MAKING SENSE in popular music and culture, with a focus on generational and stylistic breadth.

After breaking records globally and announced as the headliners of Lollapalooza, Stray Kids are back with a brand-
new album titled ATE, which is available in 2 standard versions: Chk Chk Ver. and Boom Ver. Contents of the album

include: CD, Outbox, Photobook (64 pages), Photocard (random 1 of 16), Mini Photobook, 4-Cut Photo, Unit
Photocard (random 1 of 8), Folded Poster, Sticker Pack (8 each) and International Retail Exclusive Postcard.
Dimensions: 224 x 164 x 14 mm.

After breaking records globally and announced as the headliners of Lollapalooza, Stray Kids are back with a brand-
new album titled ATE, which is available in 2 standard versions: Chk Chk Ver. and Boom Ver. Contents of the album

include: CD, Outbox, Photobook (64 pages), Photocard (random 1 of 16), Mini Photobook, 4-Cut Photo, Unit
Photocard (random 1 of 8), Folded Poster, Sticker Pack (8 each) and International Retail Exclusive Postcard.
Dimensions: 224 x 164 x 14 mm.

Multi-platinum indie pop artist Dayglow reveals his new self-titled project and celebrates the official announcement by dropping his latest single “Cocoon.” DAYGLOW embodies exactly who Sloan Struble is as an artist and creative and acts as a proper introduction into the bright and colorful Dayglow world. The 10-track debut record was solely written, performed, recorded, produced, and mixed by Struble himself in his Malibu home studio. He opens up and shares, “When I was 18 years old, I made my mixtape Fuzzybrain. I was a pretty introverted kid from a reasonably small town in Texas, so I didn’t expect much to happen ‘commercially’ for the record—I just made it for my own enjoyment, really. As a fan of the 2010’s indie music scene (MGMT, The Strokes, Phoenix, Passion Pit, etc.), I wanted to see what kind of album I could make completely alone in my bedroom. So, out of the quest to make something I loved, Dayglow was born. It was a clear reflection of myself at that time. It was pure, naive, goofy, guitar-driven indie-pop made to be played live by a 5-piece band (that I didn’t even have yet).”

Multi-platinum indie pop artist Dayglow reveals his new self-titled project and celebrates the official announcement by dropping his latest single “Cocoon.” DAYGLOW embodies exactly who Sloan Struble is as an artist and creative and acts as a proper introduction into the bright and colorful Dayglow world. The 10-track debut record was solely written, performed, recorded, produced, and mixed by Struble himself in his Malibu home studio. He opens up and shares, “When I was 18 years old, I made my mixtape Fuzzybrain. I was a pretty introverted kid from a reasonably small town in Texas, so I didn’t expect much to happen ‘commercially’ for the record—I just made it for my own enjoyment, really. As a fan of the 2010’s indie music scene (MGMT, The Strokes, Phoenix, Passion Pit, etc.), I wanted to see what kind of album I could make completely alone in my bedroom. So, out of the quest to make something I loved, Dayglow was born. It was a clear reflection of myself at that time. It was pure, naive, goofy, guitar-driven indie-pop made to be played live by a 5-piece band (that I didn’t even have yet).”

After breaking records globally and announced as the headliners of Lollapalooza, Stray Kids are back with a brand-
new album titled ATE, which now available an Accordion Ver. available in 8 versions, specific to each member:

BANG CHAN, LEE KNOW, CHANGBIN, HYUNJIN, HAN, FELIX, SEUNGMIN and I.N. Contents of the album
include: CD, Photobook, Lyrics Paper, Photocard (random 1 of 8), Mini Lip Card (random 1 of 8) and Additional
Photocard (random 1 of 8). Dimensions: 178 x 128 x 8 mm.

After breaking records globally and announced as the headliners of Lollapalooza, Stray Kids are back with a brand-
new album titled ATE, which now available in a limited ATE Ver. Contents of the album include: CD, Outbox,

Photobook (84 pages), Photocard (random 1 of 8), Monochrome Photo Receipt (random 1 of 8), Portrait Poster
(random 1 of 8), Bitmap Mini Poster, Mini Newspaper, Folded Poster, Sticker Pack (8 each) and International Retail
Exclusive Postcard. Dimensions: 224 x 164 x 14.5 mm.

introducing "hi my name is insecure" – a transformative musical journey crafted by the immensely talented sam tompkins. this groundbreaking record, comprising 16 tracks, stands as a testament to sam's genre-defying signature sound, a fusion he aptly describes as "emotive songwriter, cinematic pop." with a sweeping range, the album artfully traverses the spectrum of human experience, delving into the depths of love and loss.

beyond the captivating melodies, sam is a dedicated advocate for mental health, a commitment evident since the inception of his career. recent personal experiences have only strengthened his resolve to address critical themes such as social anxiety and depression through his music. each note and lyric serve as a comforting balm for those navigating the challenges of life.

as you immerse yourself in the rich tapestry of "hi my name is insecure," sam invites you to share in his mission. he believes in the power of shared experiences, emphasizing that a problem shared is a problem halved. through his music, sam aims to dismantle the stigma surrounding struggles, fostering an environment where no sadness is deemed shameful. join sam tompkins on this empowering musical odyssey, where vulnerability becomes strength, and the human experience is celebrated in all its raw and authentic beauty.

Produced by Chris Coady and written by DIIV (pronounced Dive), Frog in Boiling Water, the band’s fourth full-length LP is a collection of snapshots that explores the brutal realities of end-stage capitalism and overwhelming technological advance. Across 10 dark and dazzling tracks, DIIV documents the collapse from various angles with unusual sensitivity and depth of purpose while expanding their grand, hypnotic shoegaze, to create a transportive, sensual work of hope, beauty and renewal.

There is no artist in the world like Sia. Try to think about an artist who transformed from an in-demand indie pop vocalist and chanteuse into a global pop superstar more than a decade into their career. Try to imagine that same global pop superstar writing and producing music for many of the other most iconic stars of our time. And then let yourself think about how Sia Furler has racked up more worldwide streams and hits (6 in the “Billions Club” on Spotify, and counting...) all while never showing her face, never compromising her artistic vision, and never letting anyone else define pop stardom for her. It’s staggering to imagine any artist doing just one of these things, let alone all of them, over the course of a career that continues to reach new heights. It’s worth repeating: there is no artist in the world like Sia.

Some quick background: Sia Furler grew up in Australia the daughter of musicians. Starting out in Adelaide, singing in bands and releasing her own music in 1997, Sia moved to London and released her debut album Healing Is Difficult in 2001. That same year she first appeared as part of Zero 7 on their debut album Simple Things - a collaboration that would continue with two more albums and a series of world tours. 2004’s Colour The Small One included “Breathe Me,” which famously soundtracked the final scene of the final episode of HBO’s Six Feet Under. More albums followed (2008’s some people have REAL problems, 2010’s We Are Born) before Sia began writing and co-writing, and featuring on songs for other artists, including Rhianna, David Guetta, Flo Rida, all of whom had massive, chart-topping hits thanks to Sia.

Her song “Chandelier,” from 2014’s Grammy-nominated 1000 Forms Of Fear, not only changed the way pop music sounds, but it revolutionized the art of music video with the groundbreaking clip starring Maddie Ziegler. More worldwide smashes followed in quick succession: “Elastic Heart,” “Big Girls Cry,” “Alive,” “Together,” “Dusk ’Til Dawn” with Zayn, and “Cheap Thrills” - a Billboard number one single for 8 nonconsecutive weeks. Over 50 billion audio streams don’t lie. Her Christmas album, released in 2017, has one of the top 10 most streamed holiday songs of all time. She directed her first feature film, titled Music, in 2021, and in 2022, a song from 2016’s This Is Acting - “Unstoppable” - became a viral sensation, pushing it past a billion plays on Spotify and onto the charts again in multiple countries around the world seven years after its release. Meanwhile, Sia co-wrote songs for other icons like Miley Cyrus, Paris Hilton, and more; wrote songs for countless films and TV show soundtracks; gave away money to Survivor contestants (her favorite show!); put her energy into animal rights advocacy; and more.

And now - there is Reasonable Woman, Sia’s first proper album since 2016. Reasonable Woman is so filled to the brim with pop perfection, it almost overwhelms with how effortless it is for her to craft such instantly connectable songs. The collection is everything Sia does best, and the sonic equivalent of a myriad of things: an empowering embrace, secrets told late at night, going to the best party in the world, the vulnerability of declaring you love someone, the steadfast determination to keep going, even if your love isn’t returned; the messiness of being human; the exuberance of being human. In essence, it is life - happening to us, happening for us; the songs on Reasonable Woman mirror back to us being alive with every chorus.

Only God Was Above Us is the new album from Vampire Weekend. Available on CD, and 2 Disc Vinyl.

GRAMMY award-winning, multi-platinum rock band Kings of Leon are coming back big with their 9th full-length studio album, Can We Please Have Fun. As the title suggests, it’s a document of one of this era’s great rock n’ roll bands cutting loose, trying new things, and, yes, having some fun. Recorded at Dark Horse studio and produced with new collaborator Kid Harpoon (Harry Styles, Florence + the Machine) the album sees a new side of Kings of Leon. On the new album, the band harkens back to their gritty origins while simultaneously finding new gears. It’s the sound of a band unified in vision and purpose, freed from any expectations, and the album the band says they’ve always wanted to make. Indie Exclusive Apple LP. Limited Edition.

Neon Pill is the highly anticipated new album from Cage The Elephant, and group’s first new music since their album, Social Cues, which won Best Rock album at the 2019 GRAMMY Awards.

Cage The Elephant consists of brothers Matt Shultz (vocals) and Brad Shultz (rhythm guitar) along with Daniel Tichenor (bass), Jared Champion (drums), Nick Bockrath (lead guitar) and Matthan Minster (guitar, keyboards, backing vocals).

St. Vincent’s first self-produced record, All Born Screaming is Annie Clark at her most unfiltered. All Born Screaming is an invitation to test the limits of what is possible–and to then keep going;  Brought to life with the aid of a highly curated dream lineup of friends — Rachel Eckroth, Josh Freese, Dave Grohl, Mark Guiliana, Cate Le Bon, Justin Meldal-Johnsen, Stella Mogzawa and David Ralicke — the album is an unadulterated expression of St. Vincent’s singular vision.

"Manhattan Fire’ is a collection of demos from prolific Brooklyn outfit The Men, revealing early versions of the tracks that would go on to make up their 2023 LP ‘New York City’ – described by Pitchfork as “an unpretentious garage-punk racket […] summoning the snottiest ghosts of the city’s punk past.” Recorded in mono and with a drum machine by founding members Mark Perro and Nick Chiericozzi over lockdown in late 2020 – before being shelved for the full-band, live-to-tape affair of the final LP – ‘Manhattan Fire’ shows a new side to those songs that's even more primitive and rough around the edges, as well as previously unheard tracks that never made it onto the album.