Music Releases 10-25-24
The new album from Tears For Fears, Songs For A Nervous Planet, features four new studio tracks plus live recordings of Tears For Fears on tour and at their best. The album features live performances of hit songs like “Shout”, “Head Over Heels”, “Everybody Wants To Rule The World”, “Mad World” & more. Spanning all eras of the band from The Hurting to The Tipping Point and beyond, this record takes you on the incomparable sonic journey that is a Tears For Fears live show and their career to date.
01. Say Goodbye To Mum And Dad
02. The Girl That I Call Home
03. Emily Said
04. Astronaut
05. Tipping Point
Side B
06. Everybody Wants To Rule The World
07. Sowing The Seeds Of Love
08. Break The Man
09. Mad World
Side C
10. Woman In Chains
11. Bad Man’s Song
12. Pale Shelter
Side D
13. Break It Down Again
14. Head Over Heels
15. Change
16. Shout
“Christmas is constant,” says Ben Folds. “Allowing you to take stock of what’s different, to understand who you are and all the ways you’ve grown and changed.” That notion lies at the heart of Folds’ brilliantly titled new holiday collection, Sleigher. Built on an eclectic mix of originals and reimagined classics, the album examines thepassage of time through the lens of Christmas, reflecting on memory, loss, and longing as it explores the variety of ways the yuletide season marks the chapters of our lives. The songs are playful here, full of humor and cheer, but they’re also laced with an inescapable sense of melancholy, a looming darkness that always seems to hover around the periphery of those late December nights. Folds’ performances, meanwhile, flirt with the standards while stretching the boundaries of tradition, at times offering up flashes of Vince Guaraldi and Burt Bacharach while still remaining true to Folds’ singularly virtuosic brand of off-kilter indie pop. The result is not so much a Ben Folds Christmas record as it is a Ben Folds record set at Christmas, a meditation on the inexorable turning of the calendar and our ever changing selves as observed at the most wonderful—and challenging—time of the year.
Relive the emotions of the final movie in the "Rebuild of Evangelion" series with Shiro SAGISU's Music from "SHIN EVANGELION" EVANGELION: 3.0+1.0 vinyl!
Reconnect to your favorite EVAs in their final battle with this one-of-a-kind vinyl release:
• Three-disc set pressed on 140g black vinyl
• Trifold Jacket featuring track information and liner notes by Shiro SAGISU
• Highlights include fan favorites like "paris", "euro nerv", and "hand of fate"
Experience once again the epic saga of Shinji, Asuka, and Rei with each track.
Originally released in 2002, Cobblestone Runway will be available on limited edition yellow vinyl in a gatefold sleeve and also a limited cd in a card gatefold sleeve. Cobblestone Runway was produced by Martin Terefe and features several of Ron’s most poignant songs including ‘God Loves Everyone’, ‘Former Glory’ and Ron’s biggest hit ‘Gold In Them Hills’, which features a duet with Coldplay’s Chris Martin and was chosen by Richard Curtis to feature on the soundtrack to his film ‘About Time’.
Originally released in 2004, Retriever will be available on vinyl for the first time with a limited edition blue pressing and a limited edition cd in card gatefold sleeve. Retriever was produced by Martin Terefe and features a wealth of finely honed Sexsmith gems including ‘Hard Bargain’ (covered by Emmylou Harris on her 2011 album of the same name), ‘Imaginary Friends’ (“a cautionary children’s song” says Ron), and Ron’s tribute to Bill Withers ‘Whatever It Takes’ (covered [as a duet with Ron] by Michael Buble on his 2009 multi-platinum album ‘Crazy Love’)
Oakland based DEADFORM’s debut LP on Tankcrimes Records emerges as a critical fusion of punk and metal that comprises and compliments the previous projects of its three members; LAUDANUM, STORMCROW and DYSTOPIA…to name a few. Entrenched In Hell follows up their 2022 self-titled demo with emerging themes of war, cults, famine and mortality that evoke a more personal attachment to the subject matter. This LP is many things and a convergence of seemingly incompatible genres but has become greater than the sum of those parts. Those parts are heavy, chugging and drenched in distortion while still allowing the music to breathe, showcasing the decades of songwriting experience shared by the trio. Is it Crust? Is it Metal ? Is it Punk? Though difficult to neatly categorize, DEADFORM are undeniably Oakland to their core. Oakland has made a habit of defining and defying genre tropes since before the term “extreme music” was part of the lexicon. DEADFORM is no exception to that experience. Three established adepts of Oakland’s idiosyncratic musical history have used their combined, multi-decade immersion to create a sonic fusion of punk and metal that is uniquely distinctive while also being simultaneously familiar. The ashes of their former projects have merged with the toxic waters of the Bay to synthesize DEADFORM. For fans of the members previous work, UK Crust specifically Amebix and even Killing Joke. An amalgamation of everything you know, but not at all what you’re expecting.
Merci is a deeply personal expression of gratitude, a celebration of the powerful relationships that keep music alive. This effervescent recording is rooted in the compositions of Gabriel Fauré, whom Kathryn Stott calls her “musical soulmate,” and follows the arcs of his inspiration and influence, from the creations of his teacher Camille Saint-Saëns and his friend and supporter Pauline Viardot to works by his student Nadia Boulanger and her sister, Lili. Merci is testament to the gift of friendship, to the connections among performers, between students and teachers, and across generations that make music magic.